A “discourse of Mastery” is by definition ontologically (study of Being) penetrating. By this I mean that it gets at the totality of its subject matter in such a way as to have conquered it. To take an example Euclidean geometry, which carves pure space into dimensions, angles and arcs, is a discourse of Mastery of spatiality. As such it is repressive, in that it subsumes other perceptions of spatiality.
This repression can be very much freeing. Euclidean geometry frees the architect to do what he does knowing the basics will work, knowing the rules of the game. What happens when we bring quantum spatiality into the equation?
Essentially nothing, because while the architect may nod to quantum spatiality it doesn’t have ontological penetration for him. It doesn’t describe the beings he works with and utilizes on a day to day basis. Another Master’s Mastery is as such only of a similarly comprehensive interest to myself or to my slaves. It might well be a discourse of Mastery, but it is not mine.
Mineness is a human trait, a trait of human being itself, that it is in each case mine. Or rather, is in the first place, but with the possibility of being given to another. This “giving”, or “ giving up” is en-owning, a giving of one’s Being, an event (ereignis), an appropriation (bringing to the proper, to one’s own). This giving up brings en-slavement, the Master’s absolute subjugation of the slave. This subjugation brings its kind and tenor of Mastery.
With Mastery comes unlimited responsibility through the “ Mineness” of the slaves new mode of Being. The slave is, in totality, Mine as Master. I am therefore responsible for what my slaves do, say, imply, as much as I am for what I do, say, or imply from that event of enownment onward. From the event onward a slave is a human being with a difference, a modality of toolhood, they are some of the beings that I work with and utilize on a day to day basis. Mastery works itself out through the unlimited responsibility of using those tools daily, without hiatus. Mastery is a working through, a going through, and its workmanship is absolutely restless. It is restless in the way it moves and arranges its equipmental totality, its World, which is also the World of its slaves.